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- Block 1: Classical and Byzantine
- Block 2: The Middle Ages
- Block 3: Renaissance Art
- Block 4: Seventeenth-Century Art
- Block 5: Physical History of Works of Art
- Block 6: Ottomans, Safavids and Mughals
- Block 7: European Art and Society c.1700-1830
- Block 8: 19th- and 20th-century art
- Block 9: The Global Contemporary
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- Classical, Byzantine and Medieval Periods
- Maeve O'Donnell-Morales: 'Altar-pieces, altar frontals and their accompanying artistic environments in thirteenth and fourteenth-century Castile' supervised by Tom Nickson
- Amanda Dotseth: 'San Quirce de Burgos: Piety and Patrimony in the Long Life of a Romanesque Church' supervised by John Lowden
- Eileen Rubery: 'Byzantine Rome and the East: the function and meaning of the frescoes in the church of S Maria Antiqua' supervised by Robin Cormack
- Emma Luker: 'The Leiden Psalter' supervised by John Lowden
- Emma Rogers: 'Art and Architectural Decoration In Italy from the Tenth to the Thirteenth Century and its Relationship with Islamic and Byzantine Art and Culture' supervised by Antony Eastmond
- Francesca Demarchi: 'The Prayerbook of Arnulph II (London, British Library, Ms. Egerton 3763)' supervised by John Lowden
- Glynn Davies: 'Chalices in Central and Northern Italy: Forms, Uses and Meanings 1200-1520' supervised by Joanna Cannon
- Jack Hartnell: 'Autopsy, Art and Art History' supervised by Anthony Eastmond and John Lowden
- James Alexander Cameron: 'Sedilia in English Churches'
- Jessica Barker: 'Marriage and Funerary Monuments in Late Medieval England'
- John Renner: 'The Founder’s Image: Transfigurations of St Francis in Central Italian Art, c. 1250 - 1350' supervised by Dr Joanna Cannon
- Lara Frentrop: 'Middle Byzantine Metal Bowls with Exotic Imagery' supervised by Tony Eastmond
- Lesley Milner: 'Behind Closed Doors: a Contribution to the Understanding of the Medieval Treasure House (Domus Thesaurus) of an English Cathedral' supervised by Paul Crossley
- Maria Grasso: 'Depictions of the soul in the Middle Ages, individually and collectively, 800-1350' supervised by John Lowden
- Maria Paschali: 'C14 Monumental Painting in the City of Famagusta, Cyprus' supervised by Anthony Eastmond
- Maria Alessia Rossi: 'The Golden Age" of the Miracle cycle: 1290-1340/Byzantine History of Art"' supervised by Tony Eastmond
- Matilde Grimaldi: 'The lost Romanesque cathedral of Santa Maria of Tortosa (1148-1347)' supervised byTom Nickson
- Michaela Zoeschg: 'Art, Space and Audience in Royal Clarissan Foundations of Late Medieval Europe'
- Naomi Speakman: 'Gothic Ivory Carvings of the British Museum: Interpretations, Forgeries and Collectors' supervised by John Lowden
- Niamh Bhalla: 'A Social History of the Last Judgement in Byzantine Art' supervised by Tony Eastmond
- Rachel Hapoienu: 'Monstrous or Misunderstood Neighbors? Marginal Illustration in the 'Topographia Hiberniae' by Gerald of Wales' supervised by John Lowden
- Sarah Biggs: 'The Parc Abbey Bible and the Mosan Manuscript Tradition' supervised by John Lowden
- Sophie Dentzer: 'Decorative vaulting in fourteenth-century England' supervised by Tom Nickson
- Renaissance Period
- Lydia Hansell: 'Patronage of a Prelate: Artistic Provisions for the Religious Foundations of Cardinal Jean Rolin (1408-1483)' supervised by Susie Nash
- Bryony Bartlett-Rawlings: 'Nicoletto da Modena and the centres of early Italian print production 1490-1530'
- Ann Adams: 'Spiritual Provision and Temporal Affirmation: Tombs of Les Chevaliers de la Toison d'Or from Philip the Good to Philip the Fair'
- Anna Koopstra: 'Jean Bellegambe (c.1480-1534/36) and the artistic milieu in Douai at the beginning of the Sixteenth Century'
- Brandon Kline: 'Early Netherlandish Painting During the Reign of Juan II of Castile, 1406-1454' supervised by Susie Nash
- Elizabeth McDougall: 'Patterns in Ownership of Urban, Commercial Property in Rome, 1500-1527' supervised by Georgia Clarke
- Emily Pegues: 'Jan Borman and Netherlandish Woodcarving c. 1479-1520: Production, Patronage and Iconography for an International Market' supervised by Susie Nash
- Evangelia Papoulia: 'The urban placement of Pope Gregory XIII's missionary Colleges in Rome' supervised by Georgia Clarke
- Harriette Peel: 'Children and Art in the late-medieval Southern Netherlands'
- Joost Joustra: 'Painted Boundaries: A Study of Sacred Space in Fifteenth-Century Italian Art' supervised by Scott Nethersole
- Laura Llewellyn: 'Art and the observance in the Oltrarno: the early visual culture of four female religious communities in quattrocento Florence' supervised by Scott Nethersole
- Mary Camp: '"Superare la Natura": a Study of the Portraits of Jacopo Pontormo' supervised by Paul Hills
- Nicola Jennings: 'Patronage, Piety and Power: Early Netherlandish Art and the Spanish Monarchy from 1474 to 1598' supervised by Susie Nash
- Per Rumberg: 'Verrocchio's Doubting Thomas: Three Encounters' supervised by Pat Rubin and Paul Hills
- Rosamund Garrett: 'Unraveling trade relations: Netherlandish tapestries and the English church' supervised by Susie Nash
- Susan Green: 'A Series of Case Studies that explore the Use and Function of Tree of Jesse Iconography in Northern Europe in the Late Middle Ages' supervised by Susie Nash
- Early Modern Period
- Camilla Pietrabissa: 'Landscape artists in Paris, 1680-1750' supervised by Katie Scott
- Austeja MacKelaite: 'Encounters in the Eternal City: Netherlandish Drawings after Antique Sculpture in Rome, 1522 – 1617 ' supervised by Professor Joanna Woodall
- Anita Sganzerla: 'Giovanni Benedetto Castiglione and the Erudite Print, 1630-1660' supervised by Sheila McTighe
- Anya Matthews: 'London's Livery Company Halls in the Seventeenth Century' supervised by Christine Stevenson
- Emily Mann: 'To have and to hold: architectural defence and destruction in England's early colonies' supervised by Christine Stevenson
- Francesca Whitlum-cooper: 'Itinerant Pastellists: Circuits of Movement in Eighteenth-Century Europe'
- Giulia Weston:' Niccolo tornioli: The life and times of a Sienese painter in 17th century Rome'
- Hope Walker: 'Hans Eworth: Art in Post-Holbein England' suprvised by Joanna Woodall
- Jenny Saunt: 'Decorative Plasterwork in England 1660 to 1710: materiality, artisanal identity, and form' supervised by Christine Stevenson and Katie Scott
- Laura Sanders: 'The Eyes, Which Love to Roam: Tower Imagery and the Seductions of Viewing from on High in the Early Modern Netherlands'
- Naomi Lebens: 'Prints in Play: Printed Playing-Cards, Board Games, Fans, Fire Screens, Targets, Masks and the Fashioning of Social Roles in Early Modern Europe' supervised by Sheila McTighe
- Philippa Potts: 'Influence of English Diplomats on 17C Gardens' supervised by Christine Stevenson
- Thomas Ardill: 'Between God, Art and Mammon: Religious Painting as a Public Spectacle in Britain, 1800-1850'
- Wolf Burchard: 'The Sovereign Artist: Charles Le Brun and the Art of Absolutism (1665-1675)' supervised by Katie Scott
- Modern and Contemporary Period
- Jessica Eisenthal: 'Medium and Mediation: A History of Video Art in Israel' supervised by Sarah Wilson
- Levi Prombaum: 'Representing the Queer Black Subject, Embodying Black Queer Subjectivity in Twentieth-Century American Art ' supervised by Mignon Nixon
- Jeff Hammond: 'Cubism, Futurism, Expressionism: modern art movements, artists groups and the individual in Japan (1910-1929)' supervised by Gavin Parkinson and Wenny Teo
- Natalie Hume: 'The Graphic Representation of America in Britain, 1865–1900' supervised by Caroline Arscott
- Jessie Robertson: 'Documenting Participatory & Relational Art in the Digital Age' supervised by Wenny Teo and Julian Stallabrass
- Jenna Lundin: 'The Montaged Environment: Painting Meets Photography on Show, 1937-1956' supervised by Chris Green
- Svitlana Biedarieva: 'Challenging the Urban Legacies of the Olympics: Mexico City 1968-1994 and Moscow 1980-1991' supervised by Professor Sarah Wilson
- Will Atkin: 'Theorising the Surrealist Object-Being' supervised by Gavin Parkinson
- Sarah Hegenbart: 'Art in Action: Christoph Schlingensief’s “Opera Village Africa” and its relation to participatory art practice’ supervised by Professor Sarah Wilson
- Sam Raybone: "Gustave Caillebotte and the status of the working man's body in the visual and political culture of the Third Republic" supervised by Satish Padiyar
- Alexandra Keiser: 'Alexander Archipenko and Cultural Exchange between the Wars: Avant-garde to Avant-gardism in the USA' supervised by Shulamith Behr
- Alexandra Tommasini: The 'Patient' City: The Practices of Photographer Gabriele Basilico supervised by Shulamith Behr and Julian Stallabrass
- Alexis Romano: 'Constructions of 'Modern' Design, 1952-1973: Prêt-à-Porter, Paris, and the Image of Women'
- Amanda Delorey: 'The People v the State: Architecture in Mexico from Modernism to Contemporary Practices' supervised by Julian Stallabrass
- Carey Gibbons: 'Victorian illustration: Arthur Hughes and Frederick Sandys' supervised by Caroline Arscott
- David Low: 'Framing Genocide: Photography and the Revisualisation of the Ottoman Empire' supervised by Shulamith Behr
- Elizabeth Kim: 'Criticism and Valuation of Early 1980s Art in New York' supervised by Julian Stallabrass
- Elizabeth Kutesko: 'Fashioning the Other: Globalization and the representation of Brazilian women's dress in National Geographic since 1988' supervised by Rebecca Arnold
- Elizaveta Butakova: 'Beyond Paris-Moscow: Soviet Unofficial Art and the Journal A-Ya, 1979-1986' supervised by Sarah Wilson
- Eva Bezverkhny: 'Kino-Ciné: The Role of Avant-Garde Cinema in the Artistic, Cultural, and Historical Relationship between Moscow and Paris, 1917-1930' supervised by John Milner
- Fiona Gaskin: 'The Contours of Identity: British Landscape Painting in the Cold War 1945-1963' supervised by Julian Stallabrass
- Freya Gunzi: 'Stanhope Forbes: Constructing Newlyn, 1885-1918' supervised by Caroline Arscott
- Henrietta Stanford: '(De)Facing the 'Other': On Ethics, Identification and Economies of Metaphor and Violence in 'War' Related Artistic Practice since 1990' supervised by Mignon Nixon
- Hu Kyung An: 'Reconfiguring Korea and the West: Korean artists in Europe, 1950s-1980s' supervised by Sarah Wilson
- Irene Noy: 'Sound Art, Gender and the West German Context' supervised by Dr Shulamith Behr
- James Day: 'Studies in Art History Writing and Revision of Whistlers' Art History' supervised by Gavin Parkinson
- Jeannine Tang: 'Conceptual and Post-Conceptual Art in the Cold War' supervised by Julian Stallabrass
- Jiyoon Lee: 'The Impact of Korean and Japanese Contemporary Art on the International Art Scene' supervised by Julian Stallabrass
- Joanna Cheetham: 'The Archives of Hans Feibusch: The Public and Private Spheres' supervised by Shulamith Behr
- Jordan Tobin: 'Kazimir Malevich's Suprematist Dialogue with Italian Futurism'
- Kaija Kaitavuori: 'Art of Human Relations: Contemporary Art as Society' supervised by Julian Stallabrass
- Katarina Lichvarova: 'Father and Son, Pivovarov and Pepperstein: Defining Two Generations of Moscow Conceptualism' supervised by Sarah Wilson
- Katerina Pantelides: 'The Ballet Body: On Stage, in Fashion and on Screen c.1920-1950'
- Kristina Rapacki: 'Asger Jorn's Folk: Nationhood, Myth, and the Comparative Method in Postwar Europe' supervised by Gavin Parkinson
- Lily Foster: 'Private Interior, and the Figure in the Works of Harold Gilman and Édoard Vuillard' supervised by Caroline Arscott/Chris Green
- Lucy Moyse: 'Violence in Fashion, c.1919-1939' supervised by Rebecca Arnold
- Lucy Watling: 'Documents of a forgotten Network: Émigré loans to Twentieth Century German Art' supervised by Shulamith Behr
- Malgorzata Misniakiewicz: 'Mail Art networks and exchanges between Eastern Europe and South America c.1965-c.1989'
- Małgorzata Sears: 'Warsaw Group 'Rytm' and the New Classicism, 1922-32' supervised by Dr Gavin Parkinson
- Marie Collier: 'A Photographic Historiography of Soviet Architecture'
- Marko Ilic: 'Negotiating Freedom in Reservation": Belgrade's SKC in Post-'68 Yugoslavia"' supervised by Klara Kemp-Welch
- Miranda Stearn: 'Museum-commissioned Interventions by Contemporary Artists within Historic Art Collections, 1985 to the Present' supervised by Chris Green and Martin Caiger-Smith
- Natalia Budanova: 'War not Peace: Russian Artists and the Two World Wars' supervised by Shulamith Behr and John Milner
- Natalia Murray: 'Proletarian Art and Civic Spectacle: Reflections of Proletarian Art in Festive Decorations in Petrograd. 1918-1924.' supervised by John Milner
- Niccola Shearman: 'Weimar in Black and White: a study of the woodcut in Germany, 1918-1933' supervised by Shulamith Behr
- Pamela Crawford: An Exploration of Italian Futurism in Relation to the First Performances of Le Sacre du Printemps Supervised by John Milner
- Sam Rose: 'Farewell to Formalism' supervised by Gavin Parkinson
- Sylwia Serafinowicz-Wesolowska: 'More than Documentation: Photography in the Polish People’s Republic between 1965 and 1981' supervised by Sarah Wilson
- Tim Satterthwaite: 'The visual language of European photo-illustrated magazines, 1920-1934'
- Vanja Malloy: 'Calder and the Surrealist Movement' supervised by Gavin Parkinson
- Yasmin Amartunga: 'How does inherent vice and conservation affect the meaning of contemporary art within the context of postmodern critical theory?' supervised by Julian Stallabrass
- Zehra Jumabhoy: 'How useful is Homi K. Bhabha's theory of 'liminality' in understanding contemporary Indian art?' supervised by Julian Stallabrass
- Conservation Research
- Judith Lee: 'Modern British Oils: History, Formulation and Use'
- Amarilli Rava: Sharon Cather
- Caroline Rae: 'Anglo-Netherlandish Workshop Practice in the 1590s and early 1600s with a focus on the works of John de Critz the Elder (1551/2 - 1642) and Marcus Gheeraerts the Younger (1561/2 - 1636)'
- Charlotte Martin: 'Cleaning Asian Wall Paintings: In Situ Constraints and Evaluation Methods' supervised by Sharon Cather
- Chiara Pasian: Sharon Cather
- Elisabeth Reissner: 'The meaning of making in the works of Paul Cezanne: A case for attending to the articulation of pictorial and material means' supervised by Aviva Burnstock and Professor Paul Smith (University of Warwick)
- Jane Spooner: 'English Royal Wall Painting in the Late Fourteenth Century' supervised by Paul Crossley and David Park
- Na Li: 'A scientific approach to interpreting the causes and mechanisms of deterioration of the wall paintings of Dunhuang, China' supervised by Sharon Cather
- Rachel Mustalish: 'Arthur Dove and the Stieglitz Circle: Modernism through Materials' supervised by Aviva Burnstock
- Roberta De Angelis: 'Maltese wall painting technology: materials, influences and implications for conservation' supervised by Sharon Cather
- Serena Martucci: 'Islamic wall painting in the Middle East from the Seljukid phase of the Abbasid dynasty until the end of the Crusades' supervised by David Park
- Sibylla Tringham: 'Characterising Consolidation in Wall Paintings' supervised by Sharon Cather
- Sreekumar Menon: Sharon Cather
- First Year Courses
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